Prepare the master
Export the final mix as an uncompressed WAV file — the standard is 24-bit / 48kHz. Listen to the file all the way through, from beginning to end, on headphones and on a phone speaker. Check the start and the end for clicks, and don't leave extra silence at either end.
Cover art that passes review
Your cover art travels with the release to every store. The spec is 3000×3000 pixels, RGB. Keep text minimal and readable at thumbnail size, and avoid platform logos, account handles, prices and links — stores reject cover art that carries them.
Metadata and codes
Metadata is how the world finds you: an artist name spelled the same way on every release, the real title with no decoration, and the correct language and genre tags. The codes — ISRC for the recording and UPC for the release — are assigned during preparation; you don't need to buy them anywhere.
Choose the release date
Give yourself room. A date several weeks out leaves space for review, delivery and pitching before day one. Line the date up with anything you control — a video, a show, a run of posts — so the release lands with support behind it rather than alone.
Request your invite
Mazufa works by invitation only. Completed applications enter a human review queue as capacity allows. Submitting does not create an account; those accepted may receive a dedicated preparation invite.
After acceptance
After preparation, your release is packaged to spec and delivered to every platform, and its data is pitched to the appropriate editorial and algorithmic surfaces. From there, watch your dashboard: streams, saves and playlist adds, per platform and per country.
The fingerprint code every recording carries — it tracks streams and earnings worldwide.
Your release barcode — one per single, EP or album.
Digital service provider — Spotify, Apple Music, Anghami and every store on earth.
Why is selling direct smarter than relying on the platforms alone?
When you put your music on streaming services like Spotify and Apple Music, you are building an audience on land you do not own. The customer does not really know your name, and the amount you get per stream is a fraction of a cent. Selling direct means the money goes to you, you keep your audience's data, and you build a real relationship with them. The maths is simple: a thousand listeners each paying five dollars = five thousand dollars. A thousand streams on Spotify = a few cents.
Step one: decide exactly what you are selling
Before any talk of prices, you need to know what you are offering. Musicians have plenty of direct-sale options:
- The single (Single): A high-quality MP3 or WAV file.
- The full album: A bundle at a discount compared with the price of the tracks individually.
- Fan bundle (Fan Bundle): A song + lyrics + an exclusive photo + a personal thank-you.
- The physical release: A CD, vinyl, or a designed USB.
- Usage licensing: Selling usage rights to content creators and advertisers.
- Exclusive sessions: Unreleased audio recordings for anyone paying a monthly subscription.
Pick one or two products to begin with and don't overcomplicate things for yourself.
Step two: how do you set the right price?
Pricing is not guesswork; it is a decision built on three factors:
- Production cost: How much did you spend on recording, mixing and mastering? The price should cover these costs over the long run.
- The size of your current audience: If your audience is small and engaged, a higher price is acceptable. If you are trying to grow your base, consider a low introductory price.
- What the market actually pays: A single usually runs between 1 and 3 dollars. An album between 7 and 15 dollars. Exclusive bundles between 15 and 50 dollars.
Practical tip: try a “pay what you want” model with a floor. For example: “minimum one dollar, suggested amount five dollars”. Many people pay more than the minimum when they feel free to choose.
Step three: where do you sell direct?
There are platforms that let you sell direct while keeping a high share of the earnings:
- Bandcamp:After reviewing the data, the offer sets out the available destinations and the revenue share, services, rights and deductions before the contract.
- Gumroad: Suitable for selling digital files in general, including music and sheet music.
- Your own website: Using Stripe or PayPal directly, your net income depends on the gateway fees, taxes and terms, with only the gateway fee deducted (2-3%).
- Mazufa: Distribution according to the fees and deductions set out in the offer and the agreement on streaming revenue, which means your net income depends on the fees, deductions, taxes and the agreement, and you can combine it with a direct-sales strategy.
Step four: promote smartly, not loudly
Promoting direct sales is different from promoting streaming. The goal is to persuade someone to take out their wallet, so:
- Tell your audience why buying from you supports you personally, not a middleman company.
- Offer an exclusive incentive: “anyone who buys the album gets the lyrics handwritten by me”.
- Use your email list first, before social media, because list subscribers are more willing to pay.
- Set a time window for the offer: “the introductory price ends in seven days” pushes the decision.
In short: start small and measure the results
Don't wait for the perfect album or the perfect website. Start with one song, put it on Bandcamp or your own site, set a reasonable price, and tell your existing audience in an honest way. Watch how many people bought and at what price, then develop your strategy based on real numbers rather than guesses. An artist selling directly to a thousand buyers may earn more than an artist streaming to hundreds of thousands.
Start as an artist or as a label
Choose the artist or label track and submit your details for review. Uploading a release or delivering a catalogue does not begin before the offer is accepted and the contract is signed by both parties and in force.